Farmer scene

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  1. Description
  2. Specifications
Tile panel, farmer scene, painted blue, late 19th century, earthenware, signed lower left ‘De Porceleyne Fles’, signed lower right ‘Leon Senf’ and ‘Jan ten Kate mzn’, ca. 80 x 50 cm (31,5 x 19,7 inch)

This tile panel is painted late 19th century by one of the master painters of the factory, Leon Senf. This panel depicts a farmer scene at the riverside and is painted after the work of Johannes Marius ten Kate (1859-1896), a painter who was specialized in genre paintings. Ten Kate’s view on society was a common theme for his paintings. This tile panel gives us an intimate glimpse into the lives of the hard working farmers.

De Koninklijke Porceleyne Fles is de enige overgebleven van de 32 zeventiende eeuwse aardewerkfabrieken in Delft. Het staat bekend om zijn hoge kwaliteit Delfts aardewerk en is zonder onderbreking al 350 jaar actief.

Delfts blauw werd populair in Nederland in de vroege 17e eeuw toen de VOC het blauw beschilderde Chinese porcelein introduceerde. De Porceleyne Fles startte in 1653 toen David Antonisz van de Pieth zijn huis in een aardewerkfabriek omvormde. Door de hoge vraag naar het product groeide Delft met 32 fabrieken, die door de Chinese burgeroorlog van 1640 tot 1670, extra markt zagen ontstaan en de kwaliteit verhoogden.

Echter, vanaf 1840 was De Porceleyne Fles de laatst overgebleven fabriek uit de 17e eeuw. Door afgenomen innovatie en Engelse concurrentie, onder meer van Steengoed zoals Wedgwood, nam de vraag af. In 1876 blies Joost Thooft nieuw leven in de fabriek, vanuit een persoonlijke interesse in Delfts blauw, om de glorietijd van de 17e eeuw te laten terugkeren. Hij verzamelde belangrijke ontwerpers en schilders, zoals Leon Senf, die er van 1878 tot 1930 werkzaam was. Ook centraliseerde Thooft de verschillende locaties tot één fabriek in 1916. Sinds 1919 draagt De Porceleyne Fles het predicaat ‘Koninklijk’.

Details

The ‘Koninklijke Porceleyne Fles’ is the only remaining factory of the 32 earthenware factories that were established in Delft during the 17th century. It is known for its high quality Delftware. It has been active for more than 350 years, without interruption.

Delft blue became populair in The Netherlands in the early 17th century when the VOC (the Dutch East India Company) introduced the blue painted porcelain from China. For ‘De Porceleyne Fles’, it all started in 1653 when David Anthonisz van der Pieth transformed his house into an earthenware factory. In 1695 the ‘De Porceleyne Fles’ already had 32 competitors. Delft blue was booming business. This was caused by the high demand for the product. However, another important reason was the Chinese civil war between 1640 and 1670, which decreased the import of porcelain dramatically. The Delft pottery makers cleverly took advantage of the situation and filled the gap with their Delft ware. They improved the products as well in this period, which made their position even stronger.

Though, the industry did not remain as booming as in the 17th century. In 1840 ‘De Porceleyne Fles’ was the last factory standing. Competition from the English creamware, such as Wedgwood, caused a decrease in demand of Delftware. As well as the upcoming European porcelain industry and a lack of innovation amongst the Delft potters. In 1876 Joost Thooft bought the factory with the aim to revive the production of Delft Blue. He was very interested in Delft Blue and made the factory as flourishing as in the 17th century again. Thooft worked together with important designers and paiters, such as Leon Senf, who worked for the factory from 1878 until 1930. In the 17th century, ‘De Porceleyne Fles’ had several factories all over Delft. However, this was very inconvenient and in 1916 all the activities were centralised at one location. In 1919, the company was awarded the ‘Royal’ in its name, which is a sign of appreciation for the Royal family.

Additional Information

Item number E.03.01.0005
Country Netherlands
Afmetingen No
Hoekmotief No
Farmer sceneFarmer scene
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